Julien Aurouze and Co. 0.05 miles.
Les Innocents.
By 1780, The Holy Innocents’ Cemetery had reached its peak.
After months of heavy rainfall, a subterranean wall between a cellar of a house and the cemetery gave way– spilling the contents of one of the many common burial pits into the cellar of the neighbouring house.
This did nothing to help the smell, which was as if all the bad smells of the world had gathered in one place to throw a stench party. Not only did this warren offer ample space to house the remains, the tunnels were also rumoured to harbour revolutionaries and insurrectionists, so blocking them with piles of bones served a useful political purpose.
The place Joachim-du-Bellay in the Les Halles district now covers the site of the cemetery.
The Innocents became even more unsavoury by night, when it was taken over by thieves, whores, necromancers and enterprising grave-robbers who sold fresh bodies to medical students. Second, the tourist trade was slipping with […]A blog that was supposed to be about all sorts, but is now usually found prancing in the footnotes of (often French, and oftener still Parisian) history.
This fountain is last remnant of the cemetery that was once beneath what would become Les Halles market.
You yearn to rediscover them, to experience what it would have been like be there for a stolen evening. The Church of the Holy Innocents, bordering the The official decision to shut it down came on September 4th, 1780. The church complained bitterly, peeved at losing the lucrative burial fees, but finally Louis XVI had succeeded in closing the cemetery – one of the greatest things he ever did for Parisians.So where, you may wonder, are the bodies now? When space ran out, mass burials began to be conducted – up to 1,500 dead could be buried in one pit, before it was closed and a new one dug. After a long period of heavy rain in the spring of 1780 (when this frozen sea of nightmares unfroze), a line was drawn at last – the Cimetière des Innocents would never bury another soul.
February 4, 2015.
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It was closed because of overuse in 1780, and in 1786 the remaining corpses were exhumed and transported to the unused subterranean quarries near Montparnasse known as the Catacombs.
Les Innocents fountain . It accepted its first denizens in the 12th century, beginning life as a nice enough graveyard, with individual, orderly burials marked in the proper way.
The new home for those bodies that escaped a new life in a bathtub was to be Denfert-Rocherau, an abandoned quarry that had provided the stone to build the city in its early days, and whose tunnels had been rediscovered at the end of the 18th century. The The destruction of the church and removal of the cemetery at Les Innocents is the subject of The cemetery and the Catacombs to which the remains were relocated play an important part in The Holy Innocents' Cemetery, c. 1550.
In that uncanny way Paris has, it turned hundreds of years of death and decay into a thriving tourist attraction – the Catacombs. 0.18 miles. Culture&Stuff sniffs out the lost gems of Paris, dusts them off, has a good look and adds them to its ever-growing cabinet of curiosity.A more social take on the history of Paris, with plenty of saucy detail.The image used at the top of this article is by Joshua Veitch-Michaelis on It is the oldest monumental fountain in Paris.
Rue des Innocents Paris France. Originally called the Fountain of the Nymphs, it was constructed between 1547 and 1550 by architect Pierre Lescot and sculptor Jean Goujon in the new style of the French Renaissance. It was the oldest and largest cemetery in Paris and had often been used for mass graves.
In the 14th and 15th centuries, citizens constructed arched structures called In the 16th century, the prominent Renaissance anatomist Bodies were exhumed and the bones were moved to the Catacombs in 1786.The church was destroyed in 1787 and the cemetery was replaced by a herb and vegetable market. Bookmark the permalink.
Want to see fewer ads? Steve Soper. The fountain, built in the 16th century for the entry into the city of Henri II, once stood against the wall of the cemetery.
Nearby. One gets the image of the dead of Paris being swept continually under this threadbare carpet, squashed down as best as could be managed, but increasingly given away by ominous bulges, the whole cemetery in my imagination looking like some nightmarish, flotsam-flecked sea frozen at the height of a tempest.
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